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$22.50The Story
Edited by Sean Abley and Tyler Doupe
From the beginning, horror has been part of the cinema landscape. Despite some of the earliest genre films with gay directors such as F.W. Murnau (Nosferatu) and James Whale (Frankenstein, The Invisible Man, Bride of Frankenstein), LGBTQIA characters have rarely been portrayed in full view. For decades, filmmakers have included âcodedâ content in their films with the homosexual experience translated into censor-friendly subtext for consumption by general audiences. Gradually, LGBTQIA characters and themes have moved from the background to the foreground as the horror genre has grown along with its audienceâs tastes and attitudes. Likewise, more and more LGBTQIA writers and directors have begun to offer their queer-centric takes on scary movies and today, âqueer horrorâ is a thriving film genre.
With more than 900 entries, this critical filmography is a comprehensive, critical, yet playful examination of the history of LGBTQIA content in horror films. Eight journalistic contributors dig into every era of scary movies, including the early silents, preâ and postâHays Code content, grindhouse sleaze, LGBTQIA indies, and megaplex studio releases. From Whaleâs The Old Dark House (1932) to Don Manciniâs Chucky films and everything in between, this collection explores what can be found at the intersection of âLGBTQIAâ and âhorrorâ in the film industry.
483 pages
8.5" x 11"

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Description
Edited by Sean Abley and Tyler Doupe
From the beginning, horror has been part of the cinema landscape. Despite some of the earliest genre films with gay directors such as F.W. Murnau (Nosferatu) and James Whale (Frankenstein, The Invisible Man, Bride of Frankenstein), LGBTQIA characters have rarely been portrayed in full view. For decades, filmmakers have included âcodedâ content in their films with the homosexual experience translated into censor-friendly subtext for consumption by general audiences. Gradually, LGBTQIA characters and themes have moved from the background to the foreground as the horror genre has grown along with its audienceâs tastes and attitudes. Likewise, more and more LGBTQIA writers and directors have begun to offer their queer-centric takes on scary movies and today, âqueer horrorâ is a thriving film genre.
With more than 900 entries, this critical filmography is a comprehensive, critical, yet playful examination of the history of LGBTQIA content in horror films. Eight journalistic contributors dig into every era of scary movies, including the early silents, preâ and postâHays Code content, grindhouse sleaze, LGBTQIA indies, and megaplex studio releases. From Whaleâs The Old Dark House (1932) to Don Manciniâs Chucky films and everything in between, this collection explores what can be found at the intersection of âLGBTQIAâ and âhorrorâ in the film industry.
483 pages
8.5" x 11"

























